To show off the new features, our team of heroic sound designers have created hundreds of breathtaking new sounds for you to explore and use in your tracks. And though most can be resized, the UI ends up looking like its been drawn. What would an update be without little improvements here and there? New interface, MPE capability, new undo/redo functionality and enhanced modulation bar await you. We’ve added the iconic sound of the Buchla Easel low pass gate and a space-age tape echo to Pigments’ sonic arsenal, for some seriously nice warping, contorting analog flavor. All are tempo-syncable like other modulation sources. Triple engined At the heart of Pigments lies a pair of synth engines, each of which can operate in one of four modes: Analogue, Wavetable, Sample or, new in Pigments 3, Harmonic.
Click it, and Pigments will resize and re-center the window. Their latest advance is Pigments 3, an update to Arturia’s so-called Polychrome software synthesizer.
#Arturia pigments resize generator#
Each generator can be set to one of three models : Turing, Sample & Hold, or Binary. This manual covers the features and operation of Arturias Pigments, the latest in a long. The in-built sequencer now lets you apply randomness in a non-destructive way, letting you always return back to where you started, perfect for live performance and improvisation. Three Random generators let you add an element of controlled chaos to your Pigments modulations. Loop, edit, and bring them to life with Pigments’ modulation abilities.Īdd another level to your sound design by transforming samples into granular synth patches at the touch of a button, adjust density, envelope, size, and exciting randomization parameters. In effect, modulation can play runs and scales. Explore hundreds of samples, import your own, load them into one of 6 different slots with 6 playback modes. Pigments lets you quantize how the coarse pitch tuning of the Engine responds to any modulation source.